![]() ![]() #Sally mann seriesThese candid and frank portraits, which would later become the Proud Flesh series (2009), recall classical sculpture while capturing a male subject in moments of intimate vulnerability. ![]() In 2003, Mann began documenting the effects of muscular dystrophy on her husband, Larry. Her longtime interest in themes of death, time, and decay are also evident in What Remains (Bullfinch Press, 2003), a five-part study of mortality ranging from pictures of the decomposing body of her beloved greyhound to photographs of the site where an armed fugitive committed suicide on her property. From 1999 to 2012, Mann photographed Cy Twombly’s warmly lit studio in Lexington, recording the moments she spent with him there as well as the traces of his artistic life.įrom the late 1990s into the 2000s, Mann honed in on her relationship with the American South, taking photographs in Alabama, Mississippi, and Louisiana for her Deep South series (2005), as well as Civil War battlefields for Last Measure (2000). These works touch on ordinary moments-playing, sleeping, and eating-as well as larger themes such as death and cultural perceptions of sexuality and motherhood. Between 19 she worked on the series Family Pictures, which focused on her three children, then all under the age of twelve. In the early 1980s she published two books, Second Sight and At Twelve, the latter a study of young girls on the cusp of womanhood. Mann had her first solo museum exhibition at the Corcoran Gallery of Art, Washington, DC, in 1977, presenting The Lewis Law Portfolio (1974–76) , a series of black-and-white photographs that comprise some of her earliest explorations into the inherent abstract beauty of the everyday. She has long used an 8 x 10 bellows camera and has explored platinum, bromoil, and wet-plate collodion processes for making prints. At a moment when many other photographers were creating large-scale color prints, Mann looked to photography’s past, investigating the visual and metaphorical potential of employing nineteenth-century technologies. ![]() She received a BA from Hollins College, Roanoke, Virginia, in 1974, and an MA in creative writing the following year. Her projects explore the complexities of familial relationships, social realities, and the passage of time, capturing tensions between nature, history, and memory.īorn in Lexington, Virginia, Mann began to study photography in the late 1960s, attending the Ansel Adams Gallery’s Yosemite Workshops in Yosemite National Park, California and the Putney School and Bennington College, both in Vermont. Sally Mann is known for her photographs of intimate and familiar subjects rendered both sublime and disquieting. And I must do so with both ardor and cool appraisal, with the passions of eye and heart, but in that ardent heart there must also be a splinter of ice. To be able to take my pictures, I have to look, all the time, at the people and places I care about. ![]()
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